rel 16 St. Peter’s Church Stoke burial records 1701-72.

The first production entitled Snow White, and the Seven Dwarfs was staged in 1958, and was presented almost in a makeshift theatre in the upper schoolroom of the Sunday School. Because of its huge success and public praise, it was decided to present the panto in what was then called Penkhull Senior School the following year. The new venue had a large stage and many schoolrooms that could be used for dressing and props. The next production, Cinderella, surpassed all expectations and the mould was set for an annual pantomime to be presented the week after Christmas. Mrs Buxton continued to produce for three years and was followed in that important role in 1962 by Mrs Betty Powell, by which time the organisation drew in many helpers to build the props, install the lighting, and paint the scenery from both chapel members and the local community. My mother-in-law, Meg Palmer, took charge of the costumes; Dennis Cotterill the lighting and electrics. Other helpers in those early days were Mrs Marjorie Prophett; Mr and Mrs Tom Rowley; Frank Adams; and Jim Powell who helped to produce the props. A story that will bring back so many wonderful memories both of the pantomimes but the people involved.

Three pages with loads of Panto photographs.

Shortly after Stoke was conveyed with the title of City in 1925, there was a move to create a Potteries Cathedral. It was Rector Crick of St. Peters in Stoke (1924) who expired such enthusiasm for a new parish church in Stoke, to become the Cathedral of the Potteries. It was his wish to lay the foundation stone on October 6th 1930, the centenary of the present parish church dedicated in 1830. The pictures here of the proposed new cathedral were published in the Sentinel in March 1928. Rector Crick was convinced that if our city could catch a vision of the possi¬bilities of our great church, the dream could be realised.
The plans for the cathedral were prepared by Sir Giles Gilbert Scott, R.A. The estimated cost was £150,000 (less than the cost of two old, terraced houses in Penkhull today) £50,000 was needed in five years. The Free Churches of the Potteries also offered their support in the campaign.

However, the war followed on following the depression which finally ended any hope of a Potteries Cathedral. The 1834 parish church of Gothic architecture still stands but sadly creates a huge financial burden to every subsequent generation that comes along.

Two pages with pictures of the original design by Sir Giles