rel 16 St. Peter’s Church Stoke burial records 1701-72.
£3.00The burial register of St Peter ad Vincula Stoke from 1703 – 1752
Set in Excel format spreadsheet
The burial register of St Peter ad Vincula Stoke from 1703 – 1752
Set in Excel format spreadsheet
The baptism register for St Peter ad Vincula – Stoke Church
in Excel format 1813 – 1835
The church of St. Peter-ad-Vincula the church of Stoke-upon-Trent
1703- 1752 marriage register set in Excel
A full record of all burials in the churchyard of St. Thomas, Penkhull from 1843 to 1943
A great help for people researching their family tree
Elzel format on a spreadsheet
This is the full list of baptisms listed in the registers now held at Stafford archives from 1842 – 1962 of St Thomas Church, Penkhull.
A great help for anyone researchibng their family tree of Penkhull.
I must have spent hours in researching this material of all those who are listed on the church WW 1 memorial, plus others from Penkhull for whatever reason were not listed.
The list of seventeen pages long is compiled in alphabetical order and under each name is given the age, under which body ther served under with full military details of their record and well as family details where possable and home address.
For those searching family histories this is a welcome addition to assist in your research.
Following the end of the First World War every village, town and city in the land discussed a memorial to those who had given their life in the Great War. Some created civic memorials in front of town halls some were erected in Parks and Churchyards and others took other forms of remembrance. At Penkhull it was agreed that this should be in the form of a Rood Screen.
It waas this national movement to remenber those who died that prompted Penkhull Church to consider which was an appropriate memorial and worthy of the sacrifice of so many lives and the desire to express thankfulness to Almighty God for allowing Britain to achieve victory.
Plans were drawn of the proposed designed and distributed to every household within the parish. The scheme costing £950 well over £275,000 in today’s money. A Mural Tablet, it was said would be situated near to the Rood listing the names of those who had made the ultimate sacrifice. The plan also included new choir stalls. It was thought that if every household promised to contribute just one guinea that the scheme would become a reality. The project was ‘to the Glory of God, in memory of the brave fallen and as a thank-offering’. As a result volunteers would visit each home to collect their weekly donation of just 3d a week for twenty weeks, such was the poverty in the 1920s.
If you are interested in the background of religions in particular the Anglican and Methodists and their origins this 5,000 ples words is a good start in understanding the growth of two quite opposing religions of the time. The early nineteenth century, an age of mechanism, seemed to muster that unimproved concern at the death of the spirit that was the parent of romanticism. The Anglican Church, conscious of decline, made stringent efforts to reverse the situation by the provision of new churches. The urban working classes, largely alienated, became increasingly apathetic to churchgoing. In many cases people who had been uprooted from their country parishes, by coming into new urban centres in search of employment, became indifferent to religion. Social mobility and demographical increase often left them outside the scope of the established church, a situation made worse by the emergence of the dissenting sects.
After the war with France and the defeat of Napoleon in 1815, the British people of all classes expected a period of prosperity. Times were hard however as there was no improvement in conditions of employment for the next seven years. K.S. Inglis attempts to put churchgoing into perspective. During the nineteenth century, the habit of attending religious worship was not normal among the working classes. From the beginning of the century, the spiritual destitution of the lower orders was a commonplace of discussion.
This is a brief outline of the essay but sets the picture of what follows. A great read for all keen to learn of the issues seperating two churches in the village of Penkhull.
Ten pages with 5,000 plus word content.
A pie chart and list of three different denominations withinStoke-upon-Trent as recorded in the religious census of 1851
The first production entitled Snow White, and the Seven Dwarfs was staged in 1958, and was presented almost in a makeshift theatre in the upper schoolroom of the Sunday School. Because of its huge success and public praise, it was decided to present the panto in what was then called Penkhull Senior School the following year. The new venue had a large stage and many schoolrooms that could be used for dressing and props. The next production, Cinderella, surpassed all expectations and the mould was set for an annual pantomime to be presented the week after Christmas. Mrs Buxton continued to produce for three years and was followed in that important role in 1962 by Mrs Betty Powell, by which time the organisation drew in many helpers to build the props, install the lighting, and paint the scenery from both chapel members and the local community. My mother-in-law, Meg Palmer, took charge of the costumes; Dennis Cotterill the lighting and electrics. Other helpers in those early days were Mrs Marjorie Prophett; Mr and Mrs Tom Rowley; Frank Adams; and Jim Powell who helped to produce the props. A story that will bring back so many wonderful memories both of the pantomimes but the people involved.
Three pages with loads of Panto photographs.
This is in the form of a Spredsheet set in Excel listing the Baptism registers for Penkhull Primative Church from 1878 – 1937.
Great help for those researching their family tree.
Shortly after Stoke was conveyed with the title of City in 1925, there was a move to create a Potteries Cathedral. It was Rector Crick of St. Peters in Stoke (1924) who expired such enthusiasm for a new parish church in Stoke, to become the Cathedral of the Potteries. It was his wish to lay the foundation stone on October 6th 1930, the centenary of the present parish church dedicated in 1830. The pictures here of the proposed new cathedral were published in the Sentinel in March 1928. Rector Crick was convinced that if our city could catch a vision of the possi¬bilities of our great church, the dream could be realised.
The plans for the cathedral were prepared by Sir Giles Gilbert Scott, R.A. The estimated cost was £150,000 (less than the cost of two old, terraced houses in Penkhull today) £50,000 was needed in five years. The Free Churches of the Potteries also offered their support in the campaign.
However, the war followed on following the depression which finally ended any hope of a Potteries Cathedral. The 1834 parish church of Gothic architecture still stands but sadly creates a huge financial burden to every subsequent generation that comes along.
Two pages with pictures of the original design by Sir Giles
It was in 1832, when the first move was made to provide an Anglican Church in Penkhull, a village ion the top of a hill. The parish church of St Peter-ad-Vincula was situated around one mile away in the valley below. It was used weekdays as a school and Sundays for worship and situated in what is now the north side of the present churchyard. In 1842 the present church of St. Thomas was built to accommodate and expanding congregation.
Probably as a direct result and with the predominant number of working people in the village, the first Primitive Chapel was erected within a stone’s throw from the one in the churchyard although many were worshiping in houses by that time. The new chapel was opened in 1836 (still standing) but there were serious financial issues almost from day one to finance the building.
Following the establishment of the church in 1842, by 1844 the church established a National School just across the road. Then in the 1850’s because of the high number of children wishing to attend the Primitive church, an additional separate but attached Sunday School was built.
The story continues to include the parish registers and many different views between the two denominations which went on for years. This twenty-seven-page essay places both church/chapel within the national framework and far much more. This is an important essay for students of religious worship and community relationships of the time.
twenty-seven pages with photos
Within the traditions of the Anglican Church attention was made to the provision of small churches, frequently built of corrugated tin and run by local Lay Readers especially for the poorer areas of a parish.
In the case of All Saints Mission it was a brick building, a large chapel with raised platform and a room for meetings etc at the side. It was opened in a former joiner’s workshop in 1894 and run by Church Army Captains until the First World War when all Church Army Captains went to serve their country leaving no one in charge so it closed the following year. It remained closed until 1919 when Mr Arnold A. Wain, a licensed preacher was asked to re-open the Mission and take charge.
The building was by then dilapidated with no congregation, so Mr. Wain walked with streets and back-allies of Boothen even standing on a wooden box preaching the gospel to hopefully encourage his future congregation. Following Mr. Wain the duty was taken over by Mr. Sam Calligan of Foden Street until it finally closed in October 1967. During his tenure the building went through a period of change, such as electric lighting, new floors, platform and heating even started a youth club in the adjacent room in 1949 continuing until 1958.
The Mission was always well attended where people found common support in difficult times of unemployment, illness, and poor inadequate housing. In those days Churches and Mission had large Sunday Schools, and the familiar site of the Annual Anniversary walks around that part of Stoke brought with it a welcomed admiration of the work of the Mission. Mr. Wain was always invited to preach on Anniversary Sundays. In his time, he was known as one of N. Staffs outstanding orators and preached with authority and conviction.
This is a good story of social interest of the period and shows that despite many poor areas of Stoke had a ministry adapted to their needs.
Two pages
The history of St. Peter’s Church, Stoke-upon-Trent dates from at least the sixth century as a Saxon Cross still stand high in the churchyard. In fact, it was the wealthiest parish in the UK in 1296 because of all the glebe land it owned. Not only was there a Saxon church but also a Norman Church, the arches of which were rebuilt in the late 19th century exactly on the spot of the original Norman Church.
By the late 17th century, the population of the pottery towns started to expand with workers coming in from the countryside. Slowly it became impossible for the church at Stoke to serve such a large parish. As a consequence, the church was divided into a number of separate Rectories with Glebe to support the Rector of the new parishes.
By the early 19th century, the old church in Stoke became totally inadequate to accommodate the demand, and the decision was taken to erect a new church on glebe land to the north of the existing churchyard. It was dedicated in 1834 with a capacity to seat over 2,000 worshippers.
This essay continues to expand on the churches origins near to the Trent and Fowlhey Brook and covers subject like the Rectory water Mills on the Trent, the list of rectors from the 12th century although the church was listed at the time of Domesday in 1086. A number of rectors were appointed by the Crown for services rendered, in fact, one never set foot in England but was in receipt of the church tithes. Interesting facts are also discussed from the church registers and the In Memory of tiles that surround the church interior walls which make fascinating reading.
Thirteen pages packed full of information and photos
The Struggle for a Live Theatre in the Potteries begins by attempting to save the old Gaumont cinema in Hanley against all the odds in a working-class economy. Yet it is from a background of despair and difficulty regarding the future of live theatre in Stoke-on-Trent with the almost daily issues of finance and management at the Theatre Royal that a new assessment had to be made with a fresh vision and a line drawn under the past– that of saving the then closed old Gaumont Cinema in Piccadilly, Hanley, and re-opening it as a refurbished working live touring theatre. It became clear to me and others “that live theatre should be seen in a wider context, encompassing a focus for re-generation and an elevation of the city’s profile to encourage much needed inward investment”. Yet there was a further dimension, it was to do with the appreciation and the involvement in the arts “unless there is a focus of top professional shows presented in a well-equipped, suitable and comfortable environment there would be no future for live theatre in North Staffordshire and little to which our young could aspire”. It is these two fundamental principles that became my driving force to save the Regent and to bring it into use as a live well-equipped theatre.
two pages
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